Hallelujah is a song composed by Leonard Cohen and performed by hundreds of popular music artists.
Come Christmas time you may hear another set of lyrics that have been composed as a seasonal (Christian) version.
If you want to know more about the background of the song this Mental Floss article has a few facts I hadn’t read before.

The article makes the observation that the many, many, many (too many) renditions of the song might make it seem overexposed, but the word at the heart of the song “Hallelujah” is both an invitation to, as well an expression of, praise.

In 2009, after the song appeared in Zack Snyder’s Watchmen, Cohen agreed with a critic who called for a moratorium on covers. “I think it’s a good song,” Cohen told The Guardian. “But too many people sing it.”
Except “Hallelujah” is a song that urges everyone to sing. That’s kind of the point. The title is from a compound Hebrew word comprising hallelu, to praise joyously, and yah, the name of god. As writer Alan Light explains in his 2013 book The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah,” the word hallelujah was originally an imperative—a command to praise the Lord. In the Christian tradition, it’s less an imperative than an expression of joy: “Hallelujah!” Cohen seemingly plays on both meanings.

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Continuing the journey toward Christmas with Pave Every Road (Isaiah) from Caroline Cobb’s album A Home and A Hunger: Songs Of Kingdom Hope.

This Victorian era prison chapel placed the congregants/prisoners in seperate booths so they couldn’t see one another.
Today they just have worship with the lights out instead.
Though I accept that putting a roomfull of malcontents together in a dark room would have made for a very risky environment.
These days we could market it as introvert church.

Source: Atlas Obscura.

Sister Sinjin are a duo (once a trio) who have released songs that Advent themed.
A newly released EP Face Of The Deep, features lyrics inspired by a book of poems by Christina Rossetti that shares the same title.
The track Yes I Knew expresses the doubt of Mary and the assurance of God about his purpose in choosing her to be the mother of Jesus.

The lyrics:
Oh Lord, when you called me did you know
My heart was dejected thro’ and thro’?
Still longing for my captor’s land
Where vineyards and melons grow
Yes I knew, yes I knew
And I called you still, and I called you child
Yes I knew, yes I knew
And I call you now, precious child

But Lord, when you chose me did you know
How marred I was and withered too?
No rose for sweetness, no virtue in me
Timid and rash, hasty, slow
Yes I knew, yes I knew
And I chose you still, and I chose you child
Yes I knew, yes I knew
And I choose you now, precious child

My Lord, when you loved me did you know
How weak were my efforts and how few?
Tepid to love and helpless to do
Jealous to reap, slack to sow
Yes I knew, yes I knew
And I loved you still, and I loved you child
Yes I knew, yes I knew
And I love you now, precious child

Good Lord, who knows all that I cannot know
You dare to know my false my true
My new, my old; good Lord how could you
Love if you’ve known me so?
Yes I knew, yes I knew
Oh I knew you then, yes, I knew you child
Yes I knew, yes I knew
And I know you now, precious child

Lyrics by Christina Rossetti
Additional lyrics and music by Kaitlyn Ferry
(C) 2019 all rights reserved