Josh Garrel’s Christmas/Advent album The Light Comes Down featured this recording of O Come, O Come Emmanuel.
Fleming Rutledge writes about John the Baptist and what she terms “apocalyptic transvision — that vision given to the church that sees through the appearances of this world to the blazing power and holiness of the coming of the Lord.”
…. It has occurred to me that the image of Jesus as the cosmic Judge who will ultimately come again to put an end to all sin and wickedness forever is not so frightening to the poor and oppressed of the earth as it is to those who have a lot to lose.
If your loved one is in the habit of buying you expensive Christmas gifts, you might not be so crazy about the idea of Jesus coming back before Santa Claus gets here. But suppose you had been a Christian in prison in the Soviet Union. Or suppose you had been a black person in Apartheid-era South Africa directed to pack up your meager belongings and take them to a so-called homeland that wasn’t your home and that wouldn’t offer you dignified employment. Suppose you were elderly and handicapped in the South Bronx and had just been robbed and terrorized for the third time. In circumstances like those, you might say Maranatha and really mean it.
Even today, John the Baptist’s lonely, austere style of life bears witness to a reality that is coming, a reality that will expose all worldly realities, all earthly conditions, all human promises as fraudulent and transitory. His appearance on the scene at this time of year exposes our pretensions for what they really are. Never have we needed him more!
Read the whole post at Christianity Today.
This version of O Come, O Come Emmanuel is by vocal duo Shane and Shane.
It took me a second or two to adjust to just how high the vocals are at the start.
Today we add a male a capella version of O Come, O Come Emmanuel for Pitch Perfect fans out there.
I’ll look around for a female version.
Winn Collier writes about the longing that Advent epitomises, a Gospel fuelled desire for the fulfilment of redemption.
We have peace, and long for peace. We have hope, and long for that expectation to be fully realised.
I’m aching for peace.
To be sure, I’m not angling for anything easy or contrived or oblivious – that’s not peace; that’s avoidance. But I do want an end to relational hostility. I do want the hungry fed and the oppressed to be free. I do want enemies to become friends, or at least not to hate one another. I do want that inner quiet that marks the way of wisdom: the capacity to live in tensions, the courage to refuse the rage of the moment, the open-heartedness that allows us to be surprised, the tenacity to never lose hope.
Read his full devotional here.
Ordinary Time are an acoustic/folk trio.
O Come, O Come Emmanuel featured on Good News, their fifth album released in 2016.
I keep track of Advent without specifically following it.
I think it’s helpful to acknowledge what the majority of Christians have been doing throughout the centuries and do throughout the world today, while affirming our non-conformist ways.
One of my colleagues was throwing a bit of shade about the situation the other night, and wanted to know what Advent was.
I told him it was when we could use one of these.
Imagine it, “Where’s the pastor?” “Just having his daily Advent observance?” “It’s only 9.30 in the morning.”
…I feel like an Advent, I feel like an Advent, I feel like an Advent or two.
…You can get it preparing a sermon, you can get it organising a roster, after a hard day’s pastoring a hard-earned thirst deserves an Advent observance. Advent, matter of fact I’ve got it now.