There seems something vaguely ancient Egyptian about Henry G. Wooldridge’s 19th century cemetery plot which features “likenesses of those from Wooldridge’s past, including a childhood sweetheart or his great-niece (depending on the lore), all of his sisters, his horse named “Fop,” plus his mother, brothers, as well as other creatures great and small who had been close to his heart.”
Read more at Atlas Obscura.
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